A series of linocuts depicting the same nude woman in various corners of her apartment, accompanied by her cat.
Although the central subject is the naked body, there is not the slightest hint of vulgarity in these works. On the contrary, they radiate harmony and naturalness, where nudity is not an act of sexuality but rather a part of calm, everyday existence filled with domestic comfort.
In each print, sensuality steps aside, giving way to warm, almost intimate moments — quiet and relaxed, where the woman and the cat seem to dissolve into the space of the apartment.

Each time of day has its own mood and rhythm.
Morning — when nature and humans are just waking up. A person separates from sleep, from the comfort of their bed, and everything is just beginning — all possibilities are still open.
Evening — the sun is on the verge of ending the day. The sky is painted in warm tones, and distant mountains begin to cast shadows, as if trading them for the night. Everything slows down, and a time of rest and reflection begins.

What happens around and within us is not always spoken aloud — some moments imprint themselves in memory like entries in a diary, allowing us to return to them later and relive the emotions or laugh at what we’ve experienced.
In “The Phenomenon,” I explore my emotional connection to the scent of the shore.
Though it changes with time, it always smells of sun, water, sand or earth — a scent that still carries the pleasure of being alone with oneself.
I invite you to look at “The Phenomenon” through sensations reconstructed from memories of the shoreline.

The sound of someone shouting “suuummer” from the windows. You’re lying under a tree, eating ice cream. Someone is playing guitar at 5 a.m.
The smell of freshly cut grass takes you back to childhood. You pick wildflowers to give to your mom. You eat strawberries straight from the garden, still with a bit of sand. Delicious. In the evening, you drink tea with mint. Also delicious.